7:30 - I sit beside Hubbard's Grove. A few level red bars above the horizon; a dark, irregular bank beneath them, with a streak of red lay below, on the horizon's edge.
When the moon is on the increase and half full, it is already in mid-heavens at sunset, so that there is no marked twilight intervening.
It is 8 o'clock. The air is still. I hear the voices of loud-talking boys in the early twilight, it must be a mile off. The swallows go over with a watery twittering. I hear the whip-poor-will at a distance.
It is almost dark. I distinguish the modest moonlight on my paper.
Moonlight is like a cup of cold water to a thirsty man. As the twilight deepens and the moonlight is more and more bright, I begin to distinguish myself, who I am and where. I become more collected and composed, and sensible of my own existence, as when a lamp is brought into a dark apartment and I see who the company are.
With the coolness and the mild silvery light, I recover some sanity, my thoughts are more distinct, moderated, and tempered. Reflection is more possible. I am sobered by the moonlight. I bethink myself.
The question is not what you look at, but what you see.
H. D. Thoreau, Journal, August 5, 1851
I begin to distinguish myself, who I am and where . . . See August 8, 1852 ("I. . . am sensible of a certain doubleness by which I can stand as remote from myself as from another.")
As the twilight deepens and the moonlight is more and more bright, I begin to distinguish myself, who I am and where; as my walls contract, I become more collected and composed, and sensible of my own existence, as when a lamp is brought into a dark apartment and I see who the company are. With the coolness and the mild silvery light, I recover some sanity, my thoughts are more distinct, moderated, and tempered. Reflection is more possible while the day goes by. The intense light of the sun unfits me for meditation, makes me wander in my thought; my life is too diffuse and dissipated; routine succeeds and prevails over us; the trivial has greater power then, and most at noonday, the most trivial hour of the twenty-four. I am sobered by the moonlight. I bethink myself. It is like a cup of cold water to a thirsty man. The moonlight is more favorable to meditation than sunlight. The sun lights this world from without, shines in at a window, but the moon is like a lamp within an apartment. It shines for us. The stars themselves make a more visible, and hence a nearer and more domestic, roof at night. Nature broods us, and has not left our germs of thought to be hatched by the sun. We feel her heat and see her body darkening over us. Our thoughts are not dissipated, but come back to us like an echo. The different kinds of moonlight are infinite. This is not a night for contrasts of light and shade, but a faint diffused light in which there is light enough to travel, and that is all.
Ah, what a poor, dry compilation is the "Annual of Scientific Discovery !" I trust that observations are made during the year which are not chronicled there, — that some mortal may have caught a glimpse of Nature in some corner of the earth during the year 1851. One sentence of perennial poetry would make me forget, would atone for, volumes of mere science. The astronomer is as blind to the significant phenomena, or the significance of phenomena, as the wood-sawyer who wears glasses to defend his eyes from sawdust. The question is not what you look at, but what you see.
I hear now from Bear Garden Hill — I rarely walk by moonlight without hearing — the sound of a flute, or a horn, or a human voice. It is a performer I never see by day; should not recognize him if pointed out; but you may hear his performance in every horizon. He plays but one strain and goes to bed early, but I know by the character of that single strain that he is deeply dissatisfied with the manner in which he spends his day. He is a slave who is purchasing his freedom. He is Apollo watching the flocks of Admetus on every hill, and this strain he plays every evening to remind him of his heavenly descent. It is all that saves him, — his one redeeming trait. It is a reminiscence ; he loves to remember his youth. He is sprung of a noble family. He is highly related, I have no doubt; was tenderly nurtured in his infancy, poor hind as he is. That noble strain he utters, instead of any jewel on his finger, or precious locket fastened to his breast, or purple garments that came with him. The elements recognize him, and echo his strain. All the dogs know him their master, though lords and ladies, rich men and learned, know him not. He is the son of a rich man, of a famous man who served his country well. He has heard his sire's stories. I thought of the time when he would discover his parent age, obtain his inheritance and sing a strain suited to the morning hour. He cherishes hopes. I never see the man by day who plays that clarionet.
The distant lamps in the farmhouse look like fires. The trees and clouds are seen at a distance reflected in the river as by day. I see Fair Haven Pond from the Cliffs, as it were through a slight mist. It is the wildest scenery imaginable, — a Lake of the Woods. I just remembered the wildness of St. Anne's. That's the Ultima Thule of wildness to me.
What an entertainment for the traveller, this incessant motion apparently of the moon traversing the clouds! Whether you sit or stand, it is always preparing new developments for you. It is event enough for simple minds. You all alone, the moon all alone, overcoming with incessant victory whole squadrons of clouds above the forests and the lakes and rivers and the mountains. You cannot always calculate which one the moon will undertake next.
I see a solitary firefly over the woods.
The moon wading through clouds; though she is eclipsed by this one, I see her shining on a more distant but lower one. The entrance into Hubbard's Wood above the spring, coming from the hill, is like the entrance to a cave; but when you are within, there are some streaks of light on the edge of the path.
All these leaves so still, none whispering, no birds in motion, — how can I be else than still and thoughtful?
As the twilight deepens and the moonlight is more and more bright, I begin to distinguish myself, who I am and where; as my walls contract, I become more collected and composed, and sensible of my own existence, as when a lamp is brought into a dark apartment and I see who the company are. With the coolness and the mild silvery light, I recover some sanity, my thoughts are more distinct, moderated, and tempered. Reflection is more possible while the day goes by. The intense light of the sun unfits me for meditation, makes me wander in my thought; my life is too diffuse and dissipated; routine succeeds and prevails over us; the trivial has greater power then, and most at noonday, the most trivial hour of the twenty-four. I am sobered by the moonlight. I bethink myself. It is like a cup of cold water to a thirsty man. The moonlight is more favorable to meditation than sunlight. The sun lights this world from without, shines in at a window, but the moon is like a lamp within an apartment. It shines for us. The stars themselves make a more visible, and hence a nearer and more domestic, roof at night. Nature broods us, and has not left our germs of thought to be hatched by the sun. We feel her heat and see her body darkening over us. Our thoughts are not dissipated, but come back to us like an echo. The different kinds of moonlight are infinite. This is not a night for contrasts of light and shade, but a faint diffused light in which there is light enough to travel, and that is all.
Ah, what a poor, dry compilation is the "Annual of Scientific Discovery !" I trust that observations are made during the year which are not chronicled there, — that some mortal may have caught a glimpse of Nature in some corner of the earth during the year 1851. One sentence of perennial poetry would make me forget, would atone for, volumes of mere science. The astronomer is as blind to the significant phenomena, or the significance of phenomena, as the wood-sawyer who wears glasses to defend his eyes from sawdust. The question is not what you look at, but what you see.
I hear now from Bear Garden Hill — I rarely walk by moonlight without hearing — the sound of a flute, or a horn, or a human voice. It is a performer I never see by day; should not recognize him if pointed out; but you may hear his performance in every horizon. He plays but one strain and goes to bed early, but I know by the character of that single strain that he is deeply dissatisfied with the manner in which he spends his day. He is a slave who is purchasing his freedom. He is Apollo watching the flocks of Admetus on every hill, and this strain he plays every evening to remind him of his heavenly descent. It is all that saves him, — his one redeeming trait. It is a reminiscence ; he loves to remember his youth. He is sprung of a noble family. He is highly related, I have no doubt; was tenderly nurtured in his infancy, poor hind as he is. That noble strain he utters, instead of any jewel on his finger, or precious locket fastened to his breast, or purple garments that came with him. The elements recognize him, and echo his strain. All the dogs know him their master, though lords and ladies, rich men and learned, know him not. He is the son of a rich man, of a famous man who served his country well. He has heard his sire's stories. I thought of the time when he would discover his parent age, obtain his inheritance and sing a strain suited to the morning hour. He cherishes hopes. I never see the man by day who plays that clarionet.
The distant lamps in the farmhouse look like fires. The trees and clouds are seen at a distance reflected in the river as by day. I see Fair Haven Pond from the Cliffs, as it were through a slight mist. It is the wildest scenery imaginable, — a Lake of the Woods. I just remembered the wildness of St. Anne's. That's the Ultima Thule of wildness to me.
What an entertainment for the traveller, this incessant motion apparently of the moon traversing the clouds! Whether you sit or stand, it is always preparing new developments for you. It is event enough for simple minds. You all alone, the moon all alone, overcoming with incessant victory whole squadrons of clouds above the forests and the lakes and rivers and the mountains. You cannot always calculate which one the moon will undertake next.
I see a solitary firefly over the woods.
The moon wading through clouds; though she is eclipsed by this one, I see her shining on a more distant but lower one. The entrance into Hubbard's Wood above the spring, coming from the hill, is like the entrance to a cave; but when you are within, there are some streaks of light on the edge of the path.
All these leaves so still, none whispering, no birds in motion, — how can I be else than still and thoughtful?
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