Saturday, March 26, 2022

A Book of the Seasons: the Brown Season

No one, to my knowledge, 
has observed the minute differences in the seasons. 
Henry Thoreau, June 11, 1851

 The brown season 
extends from about the 6th of March 
ordinarily into April. 
March 26, 1860

March 29, 2016


March 5. As I go along by Sleepy Hollow, this strong, warm wind, rustling the leaves on the hillsides, this blue haze, and the russet earth seen through it, remind me that a new season has come. March 5, 1855

March 10Those reddening leaves, as the checkerberry, lambkill, etc., etc., which at the beginning of winter were greenish, are now a deeper red, when the snow goes off. . . .There are some other plants with bright-green leaves which have either started somewhat or have never suffered from the cold under the snow. March 10, 1852

March 10.These earliest spring days are peculiarly pleasant. We shall have no more of them for a year. I am apt to forget that we may have raw and blustering days a month hence. The combination of this delicious air, which you do not want to be warmer or softer, with the presence of ice and snow, you sitting on the bare russet portions, the south hillsides, of the earth, this is the charm of these days. It is the summer beginning to show itself like an old friend in the midst of winter. You ramble from one drier russet patch to another.  March 10, 1859

March 11. From the hill the river and meadow is about equally water and ice, — rich blue water and islands or continents of white ice — no longer ice in place — blown from this side or that . . . The distant mountains are all white with snow while our landscape is nearly bare. March 11, 1854

March 12. Memorable is the warm light of the spring sun on russet fields in the morning. A new feature is being added to the landscape, and that is expanses and reaches of blue water. . . .I look across the meadows to Bedford, and see that peculiar scenery of March, in which I have taken so many rambles, the earth just bare and beginning to be dry, the snow lying on the north sides of hills, the gray deciduous trees and the green pines soughing in the March wind — they look now as if deserted by a companion, the snow. When you walk over bare lichen-clad hills, just beginning to be dry, and look afar over the blue water on the meadows, you are beginning to break up your winter quarters and plan adventures for the new year. The scenery is like, yet unlike, November; you have the same barren russet, but now, instead of a dry, hard, cold wind, a peculiarly soft, moist air, or else a raw wind. March 12, 1854

March 12. A new feature is being added to the landscape, and that is expanses and reaches of blue water. This great expanse of deep-blue water, deeper than the sky. March 12, 1854 

March 12. Now you walk in a comparative lull, anticipating fair weather, with but a slight drizzling,. . . In one of these lulls, as I passed the Joe Hosmer (rough-cast) house, I thought I never saw any bank so handsome as the russet hillside behind it. . . .this russet grass with its weeds, being saturated with moisture, was in this light the richest brown, methought, that I ever saw. There was the pale brown of the grass, red browns of some weeds (sarothra and pinweed probably), dark browns of huckleberry and sweet-fern stems, and the very visible green of the cladonias thirty rods off, and the rich brown fringes where the broken sod hung over the edge of the sand-bank. I did not see the browns of withered vegetation so rich last fall, . . .A peculiar and unaccountable light seemed to fall on that bank or hillside, though it was thick storm all around. A sort of Newfoundland sun seemed to be shining on it. It was such a light that you looked around for the sun that might be shining on it . . .These tints of brown were as softly and richly fair and sufficing as the most brilliant autumnal tints. In fair and dry weather these spots may be commonplace, but now they are worthy to tempt the painter's brush. . . .This kind of light, the air being full of rain and all vegetation dripping with it, brings out the browns wonderfully. March 12, 1859

March 13. I cannot easily forget the beauty of those terrestrial browns in the rain yesterday. The withered grass was not of that very pale hoary brown that it is to-day, now that it is dry and lifeless, but, being perfectly saturated and dripping with the rain, the whole hillside seemed to reflect a certain yellowish light, so that you looked around for the sun in the midst of the storm. All the yellow and red and leather-color in the fawn-colored weeds was more intense than at any other season. The withered ferns which fell last fall — pin weeds, sarothra, etc. — were actually a glowing brown for the same reason, being all dripping wet. The cladonias crowning the knolls had visibly expanded and erected themselves, though seen twenty rods off, and the knolls appeared swelling and bursting as with yeast. All these hues of brown were most beautifully blended, so that the earth appeared covered with the softest and most harmoniously spotted and tinted tawny fur coat of any animal. The very bare sand slopes, with only here and there a thin crusting of mosses, was [sic] a richer color than ever it is. In short, in these early spring rains, the withered herbage, thus saturated, and reflecting its brightest withered tint, seems in a certain degree to have revived, and sympathizes with the fresh greenish or yellowish or brownish lichens in its midst, which also seem to have withered. It seemed to me — and I think it may be the truth — that the abundant moisture, bringing out the highest color in the brown surface of the earth, generated a certain degree of light, which, when the rain held up a little, reminded you of the sun shining through a thick mist. March 13, 1859

March 16. 
The earth has cast off her white coat and come forth in her clean-washed sober russet early spring dress. As we look over the lively, tossing blue waves for a mile or more eastward and northward, our eyes fall on these shining russet hills, and Ball's Hill appears in this strong light at the verge of this undulating blue plain, like some glorious newly created island of the spring, just sprung up from the bottom in the midst of the blue waters. The fawn-colored oak leaves, with a few pines intermixed, thickly covering the hill, look not like a withered vegetation, but an ethereal kind, just expanded and peculiarly adapted to the season and the sky. Look toward the sun, the water is yellow, as water in which the earth has just washed itself clean of its winter impurities; look from the sun and it is a beautiful dark blue; but in each direction the crests of the waves are white, and you cannot sail or row over this watery wilderness without sharing the excitement of this element. Our sail draws so strongly that we cut through the great waves without feeling them. And all around, half a mile or a mile distant, looking over this blue foreground, I see the bare and peculiarly neat, clean- washed, and bright russet hills reflecting the bright light (after the storm of yesterday) from an infinite number of dry blades of withered grass. The russet surfaces have now, as it were, a combed look, — combed by the rain. And the leather-color of withered oak leaves covering Ball's Hill, seen a mile or two off in the strong light, with a few pines intermixed, as if it were an island rising out of this blue sea in the horizon. This sight affects me as if it were visible at this season only. What with the clear air and the blue water and the sight of the pure dry withered leaves, that distant hill affects me as something altogether ethereal . . . This first sight of the bare tawny and russet earth, seen afar, perhaps, over the meadow flood in the spring, affects me as the first glimpse of land, his native land, does the voyager who has not seen it a long time. March 16, 1859

March 18. When I get two thirds up the hill, I look round and am for the hundredth time surprised by the landscape of the river valley and the horizon with its distant blue scalloped rim. It is a spring landscape, and as impossible a fortnight ago as the song of birds. It is a deeper and warmer blue than in winter, methinks. . . Is it not the higher sun, and cleansed air, and greater animation of nature? There is a warmer red to the leaves of the shrub oak, and to the tail of the hawk circling over them. March 18, 1858

March 18Three days ago, the 15th, we had steady rain with a southerly wind, with a clear interval and a brilliant double rainbow at sunset, — a day when all the russet banks were dripping, saturated with wet, and the peep of the robin was heard through the drizzle and the rain. March 18, 1859

March 19. The snow of March 14th is about gone, and the landscape is once more russet. The thick ice of the meadows lies rotting on each side of the stream, white and almost soft as snow. March 19, 1855

March 19. That first general exposure of the russet earth, March 16th, after the soaking rain of the day before, which washed off most of the snow and ice, is a remarkable era in an ordinary spring. The earth casting off her white mantle and appearing in her homely russet garb. This russet — including the leather-color of oak leaves — is peculiar and not like the russet of the fall and winter, for it reflects the spring light or sun, as if there were a sort of sap in it. When the strong northwest winds first blow, drying up the superabundant moisture, the withered grass and leaves do not present a merely weather-beaten appearance, but a washed and combed springlike face. The knolls forming islands in our meadowy flood are never more interesting than then. This is when the earth is, as it were, re-created, raised up to the sun, which was buried under snow and ice. March 19, 1858


March 23. At this season and under these circumstances, the sun just come out and the flood high around it, russet, so reflecting the light of the sun, appears to me the most agreeable of colors, and I begin to dream of a russet fairyland and elysium. How dark and terrene must be green! but this smooth russet surface reflects almost all the light. . . . How well, too, this smooth, firm, light-reflecting, tawny earth contrasts with the darker water which surrounds it, — or perchance lighter sometimes! At this season, when the russet colors prevail, the contrast of water and land is more agreeable to behold. . . .Thus we sit on that rock, hear the first wood frog's croak, and dream of a russet elysium. Enough for the season is the beauty thereof. Spring has a beauty of its own which we would not exchange for that of summer, and at this moment, if I imagine the fairest earth I can, it is still russet, such is the color of its blessed isles, and they are surrounded with the phenomena of spring. . . .These tongues of russet land tapering and sloping into the flood do almost speak to one. They are alternately in sun and shade. When the cloud is passed, and they reflect their pale-brown light to me, I am tempted to go to them. I think I have already noticed within a week how very agreeably and strongly the green of small pines contrasts with the russet of a hillside pasture now. Perhaps there is no color with which green contrasts more strongly. I see the shadow of a cloud — and it chances to be a hollow ring with sunlight in its midst — passing over the hilly sprout-land toward the Baker house, a sprout-land of oaks and birches; and, owing to the color of the birch twigs, perhaps, this shadow turns all from russet to a decided dark-purplish color as it moves along. And then, as I look further along eastward in the horizon, I am surprised to see strong purple and violet tinges in the sun, from a hillside a mile off densely covered with full-grown birches. It is the steep old corn-field hillside of Jacob Baker's. I would not have believed that under the spring sun so many colors were brought out. March 23, 1859

March 25.  I walk in the rain and see the rich yellowish browns of the moist banks.. . .Surely russet is not the name which describes the fields and hillsides now, whether wet or dry. There is not red enough in it. I do not know a better name for this (when wet) yellowish brown than "tawny." On the south side of these warm hills, it may perhaps be called one of the fawn-colors, i. e. brown inclining to green . . .Much of this peculiar yellowish color on the surface of the Clamshell plain is due to a little curled sedge or grass growing at short intervals. . .Day before yesterday, in clear, dry weather, we had pale-brown or fawn-colored earth, i. e., a dry, withered grass blade [color]; to-day, a more yellow brown or tawny, the same being wet. The wet brings out an agreeable yellow light, as if the sun were shining through a mist on it. The earth is more truly russet in November, when there is more redness left in the withered and withering vegetation . . . The color of spring hitherto, — I should say that in dry weather it was fawn-colored, in wet more yellowish or tawny. March 25, 1859

March 25.  As I walk I am excited by the living dark-blue color of the open river and the meadow flood seen at a distance over the fields, contrasting with the tawny earth and the patches of snow. March 25, 1860

March 25. To speak of the general phenomenon of March . . .The 6th, it clears off cold and windy. The snow is chiefly gone; the brown season begins. The tawny frozen earth looks drier than it is . . .The 7th is a day of misty rain and mistling , and of moist brown earth into which you slump as far as it is thawed at every step.  . . Now you admire the various brown colors of the parded earth . . . The 10th, you first notice frost on the tawny grass. The river-channel is open, and you see great white cakes going down the stream between the still icy  meadows, and the wind blows strong from the northwest, as usual. The earth begins to look drier and is whiter or paler-brown than ever, dried by the wind. The very russet oak leaves mixed with pines on distant hills look drier too. March 25, 1860

March 26, 2023
When the sun comes out 
of a cold slate-colored cloud –
fore-glow of the year. 
 March 26, 1860

March 26When the sun comes out of a cold slate-colored cloud, these windy days, the bleached and withered pastures reflect its light so brightly that they are almost white. They are a pale tawny, or say fawn-color, without any redness. The brown season extends from about the 6th of March ordinarily into April. The first part of it, when the frost is rapidly coming out and transient snows are melting, the surface of the earth is saturated with moisture. The latter part is dry, the whitish-tawny pastures being parded with brown and green mosses (that commonest one) and pale-brown lecheas, which mottle it very pleasingly. This dry whitish-tawny or drab color of the fields — withered grass lit by the sun — is the color of a teamster’s coat.  It is one of the most interesting effects of light now, when the sun, coming out of clouds, shines brightly on it. It is the fore-glow of the year.  March 26, 1860

March 27. The flowers of the alder, now partly in bloom, maybe half, make the impression at a little distance of a collection of the brown twigs of winter — also are of the same color with many withered leaves. . . Of our seven indigenous flowers which begin to bloom in March, four, i. e. the two alders, the aspen, and the hazel, are not generally noticed so early, if at all, and most do not observe the flower of a fifth, the maple. The first four are yellowish or reddish brown at a little distance, like the banks and sward moistened by the spring rain. The browns are the prevailing shades as yet, as in the withered grass and sedge and the surface of the earth, the withered leaves, and these brown flowers. March 27, 1859

March 28.  The Emys picta, now pretty numerous, when young and fresh, with smooth black scales without moss or other imperfection, unworn, and with claws perfectly sharp, is very handsome. When the scales are of this clear, though dull, black, the six middle ones, counting from side to side, are edged forward with broad dull greenish-yellow borders, the others with a narrow whitish border, and the singular vermilion and yellow marks of the marginal scales extend often on to the lateral scales. The concentric lines of growth are in distinguishable. The fore and hind legs and tail are slashed or streaked horizontally with broad clear vermilion and also a fine yellow line or two, answering to those on the hinge scales continued, showing the tenant to be one with the house he occupies. Beneath it is a clear buff.He who painted the tortoise thus, what were his designs?  At Lee’s Cliff and this side, I see half a dozen buff edged butterflies (Vanessa Antiopa) and pick up three dead or dying, two together, the edges of their wings gone. Several are fluttering over the dry rock débris under the cliff, in whose crevices probably they have -wintered. Two of the three I pick up are not dead, though they will not fly. Verily their day is a short one. What has checked their frail life? Within, the buff edge is black with bright sky-blue spots, and the main part within is a purplish brown. Those little oblong spots on the black ground are light as you look directly down on them, but from one side they vary through violet to a crystalline rose-purple. . .The broad buff edge of the Vanessa Antiopa’s wings harmonizes with the russet ground it flutters over, and as it stands concealed in the winter, with its wings folded above its back, in a cleft in the rocks, the gray brown under side of its wings prevents its being distinguished from the rocks themselves. March 28, 1857

March 28. As we sweep past the north end of Poplar Hill, with a sand-hole in it, its now dryish, pale-brown mottled sward clothing its rounded slope, which was lately saturated with moisture, presents very agreeable hues. In this light, in fair weather, the patches of now dull-greenish mosses contrast just regularly enough with the pale-brown grass. It is like some rich but modest- colored Kidderminster carpet, or rather the skin of a monster python tacked to the hillside and stuffed with earth. These earth colors, methinks, are never so fair as in the spring.. Now the green mosses and lichens contrast with the brown grass, but ere long the surface will be uniformly green. I suspect that we are more amused by the effects of color in the skin of the earth now than in summer. Like the skin of a python, greenish and brown, a fit coat for it to creep over the earth and be concealed in. Or like the skin of a pard, the great leopard mother that Nature is, where she lies at length, exposing her flanks to the sun. I feel as if I could land to stroke and kiss the very sward, it is so fair. It is homely and domestic to my eyes like the rug that lies before my hearth-side. Such ottomans and divans are spread for us to recline on. Nor are these colors mere thin superficial figures, vehicles for paint, but wonderful living growths, — these lichens, to the study of which learned men have devoted their lives, — and libraries have been written about them. The earth lies out now like a leopard, drying her lichen and moss spotted skin in the sun, her sleek and variegated hide. I know that the few raw spots will heal over. Brown is the color for me, the color of our coats and our daily lives, the color of the poor man's loaf.  The bright tints are pies and cakes, good only for October feasts, which would make us sick if eaten every day. One side of each wave and ripple is dark and the other light blue, reflecting the sky, — as I look down on them from my boat, — and these colors (?) combined produce a dark blue at a distance. These blue spaces ever remind me of the blue in the iridescence produced by oily matter on the surface, for you are slow to regard it as a reflection of the sky. The rippling undulating surface over which you glide is like a changeable blue silk garment. March 28, 1859

March 30. As I look through the window, I actually see a warmer atmosphere with its fine shimmer against the russet hills and the dry leaves . . . There is a very perceptible greenness on our south bank now, but I cannot detect the slightest greenness on the south side of Lee’s Hill as I sail by it. It is a perfectly dead russet. March 30, 1855

March 31. When the air is a little hazy, the mountains are particularly dark blue. It is affecting to see a distant mountain-top, like the summits of Uncanoonuc, well seen from this hill, whereon you camped for a night in your youth, which you have never revisited, still as blue and ethereal to your eyes as is your memory of it. March 31, 1853

April 1.  The prevailing color of the woods at present, excepting the evergreens, is russet, a little more red or grayish, as the case may be, than the earth, for those are the colors of the withered leaves and the branches; the earth has the lighter hue of withered grass. Let me see how soon the woods will have acquired a new color. April 1, 1852

April 1.   When I look out the window I see that the grass on the bank on the south side of the house is already much greener than it was yesterday.  April 1, 1855 

April 3. It is surprising how the earth on bare south banks begins to show some greenness in its russet cheeks in this rain and fog, -- a precious emerald-green tinge, almost like a green mildew, the growth of the night, -- a green blush suffusing her cheek, heralded by twittering birds. How encouraging to perceive again that faint tinge of green, spreading amid the russet on earth’s cheeks! I revive with Nature; her victory is mine. This is my jewelry. April 3, 1856

April 4.  How the thirsty grass rejoices! It has pushed up so visibly since morning, and fields that were completely russet yesterday are already tinged with green. We rejoice with the grass. April 4, 1853

April 4. The earth is clad with a warm russet, more pleasing perhaps than green; and far beyond all, in the northwestern horizon, my eye rests on a range of snow-covered mountains, glistening in the sun. April 4, 1855

April 4  Methinks the peculiar and interesting Brown Season of the spring lasts from the time the snow generally begins to go off — as this year the fore part of March — till the frost is generally (or entirely ?) out. Perhaps it will be through the first week of April this year. Ordinary years it must be somewhat later.  April 4, 1859 

April 9. As yet the landscape generally wears its November russet. April 9, 1854

April 13. One or two crowfoots Lee's Cliff, fully out, surprise me like a flame bursting from the russet ground . . .The winter-rye fields quite green, contrasting with the russet. April 13, 1854

April 14. There is a general tinge of green now discernible through the russet on the bared meadows and the hills, the green blades just peeping forth amid the withered ones. April 14, 1854

April 23How thickly the green blades are starting up amid the russet! The tinge of green is gradually increasing in the face of the russet earth. April 23, 1854

April 24. The pitch pine is a cheerful tree at this season, with its lively yellow-green in the sunshine, while the landscape is still russet and dead-grass colored . . .all around the undulating earth a very light tawny color, from the dead grass, with the reddish and gray of forests mingled with evergreen; April 24, 1852

April 24. Now the sun comes out and shines on the pine hill west of Ball's Hill, lighting up the light-green pitch pines and the sand and russet-brown lichen-clad hill. That is a very New England landscape. April 24, 1857

April 24. Looking over Heywood's meadow, I am struck by the vivid greenness of the tips of the sedge just pushing up out of its dry tussocks in the water. All the lower part of the tussock is brown, sere, prostrate blades of last year, while from the amid the withered blades spring up ranks of green life like a fire . . . the renewal of life. April 24, 1859 

April 25.  I got to-day and yesterday the first decided impression of greenness beginning to prevail, summer-like. It struck me as I was going past some opening and by chance looked up some valley or glade, — greenness just beginning to prevail over the brown or tawny. It is a sudden impression of greater genialness in the air, when this greenness first makes an impression on you at some turn,. . .It reminds you of the time, not far off, when you will see the dark shadows of the trees there and buttercups spotting the grass. Even the grass begins to wave. . . I glance up some warm southern slope, sunny and still, where the thinly scattered blades of green grass, lately sprung, already perchance begin to wave, and I am suddenly advertised that a new season has arrived. April 25, 1859


April 28. Perhaps the greenness of the landscape may be said to begin fairly now . . . during the last half of April the earth acquires a distinct tinge of green, which finally prevails over the russet. April 28, 1854 

April 28, 2019
If you make the least correct 
observation of nature this year,
 you will have occasion to repeat it
 with illustrations the next, 
and the season and life itself is prolonged.

*****

See also:
A Book of the Seasons, by Henry Thoreau, February 13 (midwinter colors)
A Book of the Seasons, by Henry Thoreau, the Western Sky
May 5, 1854 ("The peculiarly beautiful clean and tender green of the grass there! Green herbs of all kinds, — tansy, buttercups, etc., etc., etc., now make more or less show. Put this with the grassy season's beginning.")



A Book of the Seasons,  by Henry Thoreau
"A book, each page written in its own season,
out-of-doors, in its own locality.”
~edited, assembled and rewritten by zphx © 2009-2022


https://tinyurl.com/HDTBrown

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