May 11.
5 A. M. -- In the morning and evening waters are still and smooth, and dimpled by innate currents only, not disturbed by foreign winds and currents of the air, and reflect more light than at noonday.
P. M. – To Corner Spring via Hubbard's Bathing Place.
The buck-bean is budded, but hard to find now.
The Viola lanceolata is now abundant thereabouts, me thinks larger and quite as fragrant (which is not saying much) as the blanda. How long has it been open?
I notice that the thin scales are peeling off of one of the painted and curled up more than half an inch at the edges, and others look as if they had just lost them, the dividing-line being of a dull cream color.
The amelanchier has a sickish fragrance.
It must be the myrtle-bird which is now so common in Hubbard's Meadow Woods or Swamp, with a note somewhat like a yellow bird's, striped olive-yellow and black on back or shoulders, light or white beneath, black dim; restless bird; sharp head.
The catbird has a squeaking and split note with some clear whistles.
The late pipes (limosum?), now nearly a foot high, are very handsome, like Oriental work, their encircled columns of some precious wood or gem, or like small bamboos, from Oriental jungles. Very much like art.
The gold-thread, apparently for a day or two, though few flowers compared with buds; not at once referred to its leaf, so distant on its thread-like peduncle.
The water-saxifrage also for a day or two in some places, on its tall, straight stem, rising from its whorl of leaves.
Sorrel now fairly out in some places. I will put it under May 8th.
A high blueberry by Potter's heater piece.
A yellow lily.
The red-eye at the spring; quite a woodland note.
The different moods or degrees of wildness and poetry of which the song of birds is the keynote. The wood thrush Mr. Barnum never hired nor can, though he could bribe Jenny Lind and put her into his cage.
How many little birds of the warbler family are busy now about the opening buds, while I sit by the spring! They are almost as much a part of the tree as its blossoms and leaves. They come and give it voice. Its twigs feel with pleasure their little feet clasping them.
I hear the distant drumming of a partridge. Its beat, however distant and low, falls still with a remarkably forcible, almost painful, impulse on the ear, like veritable little drumsticks on our tympanum, as if it were a throbbing or fluttering in our veins or brows or the chambers of the ear, and belonging to ourselves, — as if it were produced by some little insect which had made its way up into the passages of the ear, so penetrating is it. It is as palpable to the ear as the sharpest note of a fife.
Of course, that bird can drum with its wings on a log which can go off with such a powerful whir, beating the air. I have seen a thoroughly frightened hen and cockerel fly almost as powerfully, but neither can sustain it long. Beginning slowly and deliberately, the partridge's beat sounds faster and faster from far away under the boughs and through the aisles of the wood until it becomes a regular roll, but is speedily concluded.
How the air is saturated with sweetness on causeways these willowy days! The willow alone of trees as yet makes light, often rounded masses of verdure in large trees, stage above stage. But oftenest they are cut down at the height of four or five feet and spread out thence.
There appear to be most clouds in the horizon on (one) of these days of drifting downy clouds, because, when we look that way, more fall within our field of view, but when we look upward, overhead we see the true proportion of clear blue.
The mountains are something solid which is blue, a terra firma in the heavens; but in the heavens there is nothing but the air.
Blue is the color of the day, and the sky is blue by night as well as by day, because it knows no night.
H. D. Thoreau, Journal, May 11, 1853



